711 Ocean Drive (1950)

“Filmed under police protection!” “Based on facts!” “The inside story of the $8,000,000,000 gambling syndicate and its hoodlum empire!”

Producer Frank Seltzer started doing research for 711 Ocean Drive, originally known as Blood Money, in November 1948, intending to expose the race wire service as a new industry for hoodlums who lost out through the repeal of Prohibition. The final screenplay, credited to Richard English and Francis Swann, is a fictionalized but recognizable depiction of the late Bugsy Siegel and his former minion, Mickey Cohen.

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Fight Films

Hollywood loved boxing. It loved watching boxing matches. It loved making movies about boxing. Both of these passions converged in the fight film. From the earlies days of motion picture technology, fight fans could see bouts from all around the country in local theaters- even though, for more than a quarter of the 20th century, transportation of such films across state lines was a violation of federal law.

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The Clay Pigeon (1949)

It was October 1946. Twenty-four-year-old Army veteran William L. Bruce was shopping for a lawnmower with his wife and in-laws at the Sears store in Los Angeles’ Boyle Heights when he spotted the man who had until recently had made his life a living hell: Tomoya Kawakita, a former guard at the Osaka Camp at Oeyama, Honshu, Japan where Bruce had been held as a POW. He was better known to Bruce and his fellow prisoners of war as “The Meatball, so nicknamed for his rotund figure- the result of his stealing and eating their rations.

 

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